৮০-র দশকের বাংলা রেট্রো লুক: কলকাতা-ঢাকার ১৬+ AI ফটো প্রম্পট (ইমেজ-টু-ইমেজ)

Edit the uploaded photo of a young Bengali man from Kolkata — preserve his exact face, skin tone and identity; dress him in a brown leather jacket over an open-collar white shirt with a subtle elephant-print pattern, gold aviator sunglasses pushed up; pose him three-quarter over-the-shoulder looking back at camera near a lamp post with old film posters; style his hair in voluminous black curls; place him on a dusty Kolkata street with a black-and-yellow Hindustan Ambassador car parked beside a yellow tram line and colonial-era buildings behind; frame as a waist-up three-quarter portrait; shot on 50mm lens; warm amber daylight; finish with visible 35mm film grain and a scratched, worn print edge like a 1986 photo. Avoid smartphones, satellite dishes, modern cars, neon signage, HDR beauty skin.

Edit the uploaded photo of a young Bengali college student from West Bengal — keep the same face and identity unchanged; dress in a simple white striped cotton shirt, high-waist trousers, round wire-frame glasses, carrying a cloth bag stuffed with books; pose standing beside a bicycle in front of an old college gate, one hand on the handlebar; style hair in a natural side-part with light volume, no gel shine; place the scene at the red-and-yellow Presidency College gate on College Street, Kolkata, with old book stacks visible nearby; frame as a medium full-body shot; shot on 35mm lens; soft warm daylight; finish with faded Kodak-gold film grain, no digital sharpness. Avoid smartphones, modern backpacks, sneakers, satellite dishes.

Edit the uploaded photo of a young Bengali man from Kolkata — preserve his face and identity exactly; dress him in a maroon kurta with a beige shawl draped over one shoulder; pose him seated at a worn wooden table, holding a clay cup of tea, a folded Bengali newspaper beside him, leaning slightly forward in three-quarter angle; style his hair with light stubble and a side-part; place the scene inside the Indian Coffee House on College Street, Kolkata, with wooden chairs, tea-stained walls and faint cigarette haze in the air; frame as a seated waist-up shot; shot on 50mm lens; warm indoor tungsten light; finish with soft film grain and a slightly faded sepia-amber tone. Avoid modern cafe furniture, LED lighting, smartphones, laptops.

Edit the uploaded photo of a young Bengali woman — keep her exact face, skin tone and identity unchanged; dress her in a silk saree with gold-pink-green zari border and a black velvet blouse, heavy gold jhumka earrings and a red bindi; pose her seated with chin resting near her hand, eyes gazing softly to one side in a classic heroine stare; style her hair in a low bun with a small gold hairpin; place her against dark wooden furniture and a silver box on a side table, evoking a 1980s Tollywood studio still; frame as a close three-quarter portrait; shot on 85mm lens; low-key moody jewel-toned studio lighting; finish with a faded film-still texture and fine grain like an Uttam-Suchitra era publicity photo. Avoid bright HDR skin, modern jewellery, sequins, disco lighting.

Edit the uploaded photo of a young Bengali student from Kolkata — preserve exact face and identity; dress in a simple cotton shirt and round glasses, holding a yellowed old paperback book; pose leaning forward over a footpath book stall, flipping through pages, waist-up angle; style hair with natural volume, no salon gloss; place the scene at an overflowing footpath book stall on College Street, Kolkata, with stacks of old books and dusty sunlight; frame as a medium documentary-style shot; shot on 35mm lens; dusty amber daylight; finish with grainy analog documentary texture and slightly yellowed tone. Avoid smartphones, plastic signage, modern bookshop interiors.

Edit the uploaded photo of a young Bengali woman from West Bengal or Bangladesh — keep her exact face and identity unchanged; dress her in a red-and-gold silk saree with the red pallu draped over her head, heavy gold necklace, jhumka earrings and gold bangles; pose full-body with hands folded in a namaskar gesture, looking slightly upward toward the pandal; style her hair in a bun decorated with fresh flowers and gold pins, red bindi; place the scene at a neighbourhood Durga Puja pandal with alpona-painted walls and strings of marigold garlands behind her; frame as a full-body three-quarter shot; shot on 35mm lens; warm festive on-camera flash with slight magenta-purple glow; finish with soft flash grain and a faded print look. Avoid modern LED pandal lighting, smartphones, plastic decorations.

Edit the uploaded photo of a young Bengali woman from Kolkata — preserve her exact face and identity; dress her in an off-white cotton saree with a red border, simple gold studs; pose her seated on a wooden tram bench near the window, one hand resting on the window frame, looking outward; style her hair in a loose bun with soft waves falling on one shoulder; place the scene inside a vintage Kolkata tram interior with wooden benches and period co-passengers, the city street blurred through the window near the Esplanade-College Street tram line; frame as a seated three-quarter shot; shot on 50mm lens; soft natural window light; finish with visible film grain and a warm faded tone, no LED reflections. Avoid modern tram interiors, smartphones, plastic seats.

Edit the uploaded photo of a young Bengali woman from West Bengal or Bangladesh — keep her exact face, skin tone and identity unchanged; dress her in a cream saree with a red-and-gold striped border, a ruffled embroidered blouse, gold jhumka earrings, a nose pin, stacked gold bangles and a red bindi; pose her seated at an angle with one hand resting near her shoulder, or standing with a hand on her hip; style her hair long and wavy over one shoulder; place her in front of a mustard-orange armchair against a teal studio wall, evoking a 1980s Kolkata or Dhaka photo studio backdrop; frame as a waist-up studio portrait; shot on 85mm lens; warm tungsten studio lighting; finish with a faded printed-photo texture and soft grain. Avoid cold digital white background, modern jewellery, sequins.

Edit the uploaded photo of a young Bangladeshi Bengali man from Dhaka — preserve his exact face and identity; dress him in a high-waist trouser and a loose collared shirt, sleeves slightly rolled; pose him seated inside a cycle-rickshaw, one arm resting on the rickshaw hood, looking toward the camera in three-quarter angle; style his hair with natural volume, optional gold aviators; place the scene in an old Dhaka lane near Chawkbazar or Lalbagh with colonial-style buildings and a cycle-rickshaw parked on the narrow street; frame as a medium three-quarter shot; shot on 35mm lens; warm afternoon daylight; finish with analog documentary grain and a faded warm tone. Avoid CNG autos, modern rickshaw art, smartphones, plastic banners.

Edit the uploaded photo of a young Bengali bride from West Bengal or Bangladesh — keep her exact face and identity unchanged; dress her in a royal-blue silk saree with heavy gold zari, a red pallu draped over her head, layered gold jewellery, a maang-tikka, white face-dot bridal decorations and a marigold garland; pose her in an over-the-shoulder bridal glance, hands gently folded; style her hair pulled back with flowers and a gold hairpin; place the scene indoors near a worn wooden door with a soft on-camera flash, in a 1980s Bengali wedding home in Kolkata or Dhaka; frame as a waist-up portrait; shot on 50mm lens; soft indoor flash lighting with slight overexposure; finish with a faded printed-album texture and visible grain. Avoid modern bridal makeup, LED lighting, contemporary jewellery.

Edit the uploaded photo of a young Bengali woman from Kolkata — preserve her exact face and identity; dress her in a winter saree paired with a woollen cardigan or shawl; pose her walking along the lakeside path in profile or three-quarter angle, one hand holding the shawl close; style her hair in a loose bun or soft waves, slightly damp from morning mist; place the scene at Rabindra Sarobar lake in south Kolkata during a misty winter morning with bare trees along the path; frame as a medium walking shot; shot on 50mm lens; soft diffused morning light through mist; finish with a muted faded winter-toned film grain. Avoid modern joggers’ gear, smartphones, bright neon activewear.

Edit the uploaded photo of a young Bengali person from Kolkata — keep exact face and identity unchanged; dress in a plain white dhuti-panjabi or a simple cotton saree with no heavy jewellery; pose in an unposed candid moment, sipping tea or standing at a doorway looking outward; style hair plain with minimal volume; place the scene in a modest Kolkata para home or narrow street with weathered walls and soft natural shadow, in the everyday documentary style of a Satyajit Ray film; frame as a medium candid shot; shot on 35mm lens; soft natural daylight through a window; finish with muted naturalistic tones and visible documentary film grain. Avoid glamorous zari, bright studio lighting, heavy makeup.

Edit the uploaded photo of a young Bengali couple from Kolkata — preserve both exact faces and identities; dress the woman in a white collared shirt with a red belted midi skirt and a red headband, sunglasses in hand; dress the man in a navy blazer over a white t-shirt and light trousers; pose them walking arm-in-arm, smiling toward each other; style her hair long with the red headband, his hair in a short side-part; place the scene on the tree-lined path in front of Victoria Memorial, Kolkata, with period-style traffic in the background; frame as a full-body walking shot; shot on 50mm lens; warm golden-hour cinematic light; finish with soft warm film grain and cinematic color grade. Avoid modern cars, smartphones, contemporary fashion logos.

Edit the uploaded photo of a young Bangladeshi Bengali woman from Dhaka — keep her exact face and identity unchanged; dress her in a simple cotton saree with a plain border or an 80s-cut salwar, a cloth book bag over her shoulder; pose her standing near the campus gate, holding books close to her chest, looking toward camera; style her hair in a side braid or low bun; place the scene at the Dhaka University campus near Shahid Minar, with old academic buildings and no modern signage; frame as a medium full-body shot; shot on 35mm lens; soft analog daylight; finish with faded Kodak-toned film grain. Avoid smartphones, modern banners, sneakers, plastic backpacks.

Edit the uploaded photo of a young Bengali woman — preserve her exact face and identity; dress her in a black saree with white polka dots and a white puff-sleeve blouse, a pearl necklace and a white headband; pose her standing with an open umbrella, a soft shy smile, looking slightly downward; style her hair in a bun with the headband; place the scene in a muted-green monsoon park setting like Kolkata Maidan or Rabindra Sarobar, or Ramna Park in Dhaka, with wet grass and soft rain haze; frame as a medium full-body shot; shot on 50mm lens; soft overcast monsoon light; finish with a warm faded vintage film tone. Avoid modern rain gear, plastic umbrellas with logos, smartphones.

Edit the uploaded photo of a young Bangladeshi Bengali couple from Dhaka — preserve both exact faces and identities; dress the woman in a cotton saree with a puff-sleeve blouse; dress the man in a slightly rain-damp collared shirt; pose them close together sharing one umbrella, facing each other; style her hair in a damp wave or loose bun, his hair in soft curls; place the scene in a wet old Dhaka lane with a cycle-rickshaw blurred in the background bokeh; frame as a medium close two-shot; shot on 50mm lens; soft overcast monsoon light; finish with warm faded analog grain. Avoid modern raincoats, smartphones, plastic umbrellas with branding.